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<\/figure>\n\n\n\nGenelde kaligrafi kelimesini duydu\u011fumuzda zihnimizde baz\u0131 \u015fekiller belirir. Bunlardan baz\u0131lar\u0131 grafiti baz\u0131lar\u0131 g\u00fczel yaz\u0131 baz\u0131lar\u0131 da hat yaz\u0131lar\u0131d\u0131r. Sebebi ise kaligrafi kelimesinin tam olarak ne oldu\u011funu bilmememiz ya da kelimenin tan\u0131m\u0131ndaki anlam geni\u015fli\u011fidir. Kaligrafi, s\u00f6zl\u00fcklerin hemen hepsinde tek bir tan\u0131ma sahiptir ve \u015f\u00f6yle tabir edilir; \u201cg\u00fczel yaz\u0131 yazma sanat\u0131.\u201d Bu tan\u0131m kaligrafinin \u00e7er\u00e7evesini olduk\u00e7a geni\u015fletmekte ve di\u011fer farkl\u0131 yaz\u0131 t\u00fcrlerini de bu alan i\u00e7erisine sokmaktad\u0131r. Yani bu tan\u0131ma g\u00f6re her hat sanat\u0131 haddi zat\u0131nda bir kaligrafi \u00f6rne\u011fidir. Fakat her kaligrafi \u00e7al\u0131\u015fmas\u0131 bir hat sanat\u0131 de\u011fildir.<\/p>\n\n\n\n
Hat sanat\u0131n\u0131n tan\u0131m\u0131na bakacak olursak; \u201cArap harfleri \u00e7er\u00e7evesinde olu\u015fan g\u00fczel yaz\u0131 yazma sanat\u0131\u201d olarak kar\u015f\u0131m\u0131za \u00e7\u0131kacakt\u0131r. Bu tan\u0131ma g\u00f6re de Arap alfabesini baza alan her t\u00fcrl\u00fc g\u00fczel yaz\u0131 yazma \u00e7abas\u0131n\u0131n hat olarak tan\u0131mlanabilece\u011fini g\u00f6r\u00fcr\u00fcz. Fakat hat sanat\u0131n\u0131n bir de modern anlam\u0131 vard\u0131r; \u201ci\u015faretlere anlaml\u0131, ahenkli ve h\u00fcnerli bir \u015fekilde bi\u00e7im verme sanat\u0131.\u201d Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda tarih i\u00e7erisinde geli\u015fen farkl\u0131 hat t\u00fcrlerini bir kategoride inceleyebilme imk\u00e2n\u0131 buluruz. Zira kuf\u00ee, celi, nesih, s\u00fcl\u00fcs, rika gibi pek \u00e7ok farkl\u0131 t\u00fcr ortaya \u00e7\u0131km\u0131\u015ft\u0131r zamanla.<\/p>\n\n\n\n
Kaligrafi, hat sanat\u0131na g\u00f6re \u00e7ok daha geni\u015f bir yelpazeye sahiptir. Bu sanat\u0131 icra ederken kullan\u0131lan aletler olduk\u00e7a farkl\u0131 ve \u00e7e\u015fitlidir. Bir s\u0131n\u0131r\u0131 yoktur. Yaz\u0131ya \u015fekil verecek her t\u00fcrl\u00fc edevat kullan\u0131labilir. Fakat hat sanat\u0131nda belirli \u00e7er\u00e7eve vard\u0131r. Genel olarak kullan\u0131lan baz\u0131 aletler vard\u0131r. Bunlardan birka\u00e7\u0131; makas, aharl\u0131 k\u00e2\u011f\u0131t, yaz\u0131 tak\u0131m\u0131, kalemt\u0131ra\u015f, kalemdan, lika, hokka, m\u00fchre ve celi kalemi\u2026<\/p>\n\n\n\n Kaligrafi sanat\u0131n\u0131n \u00f6zde\u015fle\u015fti\u011fi bir medeniyet yoktur. Herhangi bir medeniyetin k\u00fclt\u00fcrel yap\u0131s\u0131n\u0131 g\u00f6stermez. Fakat hat sanat\u0131 \u0130slam k\u00fclt\u00fcr ve medeniyetinin farkl\u0131 sanat t\u00fcrlerinden bir tanesidir. Ve bir dine hizmet arac\u0131d\u0131r. Bu bak\u0131mdan hat sanat\u0131n\u0131n medeniyet i\u00e7erisinde geli\u015ftirilmi\u015f bir e\u011fitim s\u00fcreci vard\u0131r. Bu e\u011fitim sonunda ehliyet kazanan ki\u015finin sanat\u0131 icra edebilmesini me\u015frula\u015ft\u0131ran bir icazet verilir. \u0130cazetten sonra o kimseye art\u0131k \u201chattat\u201d denir. Ve eserlerinin sonuna kendi imzas\u0131n\u0131 koymas\u0131na izin verilir. Bu usul kaligrafi sanat\u0131nda s\u00f6z konusu de\u011fildir. Baz\u0131 g\u00fczel yaz\u0131 kurslar\u0131 olsa da hat sanat\u0131nda oldu\u011fu gibi sistematik, kendine \u00f6zg\u00fc ve bir diploma ile neticelenen s\u00fcrece sahip de\u011fildir.<\/p>\n","protected":false},"excerpt":{"rendered":" Sanat\u0131n bin bir \u00e7e\u015fidi vard\u0131r. Sanat\u00e7\u0131n\u0131n duygular\u0131n\u0131 ve kabiliyetini yans\u0131tan her t\u00fcrl\u00fc eylem sanat stat\u00fcs\u00fcnde de\u011ferlendirilir. G\u00f6rsel sanatlar i\u00e7erisinde de\u011ferlendirilen hat ve kaligrafi de bunlardan sadece ikisidir. Kelimelere renk vermek, farkl\u0131 bir \u00fcslup ile kaleme anlamak anlam\u0131na gelen bu iki kelime aras\u0131ndaki farklara k\u0131saca g\u00f6z atal\u0131m. Aralar\u0131ndaki en temel fark hat sanat\u0131n\u0131n do\u011fu medeniyetine has […]<\/p>\n","protected":false},"author":2,"featured_media":1331,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[528,581,585,586,587],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/1330"}],"collection":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/comments?post=1330"}],"version-history":[{"count":1,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/1330\/revisions"}],"predecessor-version":[{"id":1334,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/1330\/revisions\/1334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/media\/1331"}],"wp:attachment":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/media?parent=1330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/categories?post=1330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/tags?post=1330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.farklarsozlugu.com\/wp-content\/uploads\/2020\/12\/female-hand-writes-with-inky-pen-white-paper-sheet-with-stripes-1024x683.jpg\")
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