{"id":66,"date":"2019-10-04T14:20:09","date_gmt":"2019-10-04T11:20:09","guid":{"rendered":"http:\/\/www.farklarsozlugu.com\/2018\/05\/03\/ucretsiz-fifa-18-world-cupin-butun-detaylari-belli-oldu\/"},"modified":"2020-12-14T18:24:09","modified_gmt":"2020-12-14T15:24:09","slug":"tolstoy-vs-dostoyevski","status":"publish","type":"post","link":"https:\/\/www.farklarsozlugu.com\/index.php\/2019\/10\/04\/tolstoy-vs-dostoyevski\/","title":{"rendered":"Tolstoy vs Dostoyevski"},"content":{"rendered":"<p>Edebiyat tarihinin efsane iki ismi. Birini and\u0131\u011f\u0131m\u0131zda di\u011feri belirir akl\u0131m\u0131zda hemen. Belki karde\u015f zannedenler bile vard\u0131r. Hem de farkl\u0131, apayr\u0131 d\u00fcnyalar\u0131n insanlar\u0131yken.<\/p>\n<p>Rus edebiyat\u0131 bu iki d\u00e2hinin kalemi \u00fczerinde y\u00fckselmi\u015f, sonraki pek \u00e7ok yazar yine onlardan ald\u0131klar\u0131 ilhamla kanatlanm\u0131\u015flard\u0131r. Her \u00e7a\u011f\u0131n birka\u00e7 \u00f6nc\u00fc ismi olur. Ya \u00e7orak topra\u011f\u0131 m\u00fcmbit bir meraya \u00e7evirir ya da k\u00fcller alt\u0131nda kalan yakutlar\u0131 yeniden ke\u015ffederek g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131rlar. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda Dostoyevski ve Tolstoy hi\u00e7 ku\u015fku yok ki kendi \u00e7a\u011flar\u0131n\u0131n o nadide simalar\u0131ndan ikisidir.<\/p>\n<p>Dostoyevski\u2019de salt dehan\u0131n hercai k\u0131v\u0131lc\u0131mlar\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Sat\u0131r aralar\u0131na gizlenen keskin g\u00f6zler, bizi hayat\u0131n ve insan\u0131n en saf haliyle y\u00fczle\u015ftirir. Dolamba\u00e7l\u0131 yahut alengirli de\u011fildir yazd\u0131klar\u0131. Do\u011frudan kullan\u0131r kalemini. Hedefi bellidir. Nettir. Yaratt\u0131\u011f\u0131 karakterlerini d\u00f6rt ba\u015f\u0131 mamur bir \u015fekilde ele al\u0131r. Ruh d\u00fcnyalar\u0131nda hoyrat bir s\u00fcvari misali dolan\u0131r. Kavga eder; hayatla, insanla ve en \u00e7ok da insan\u0131 insan olmaktan \u00e7\u0131karan bedbaht budalalarla. Samimidir. G\u00f6zleri bir kartal kadar keskin ve sa\u011flam fakat ruhu kaybeden tarafta olan herkes gibi yorgun ve bitkindir. Hastad\u0131r. Yaz\u0131 ya\u015fam kayna\u011f\u0131d\u0131r. Ve yazmak zorundad\u0131r. Bazen tedavi olmak ve kendini anlamak, \u00e7o\u011fu zaman da para kazanmak ve borcunu \u00f6deyebilmek i\u00e7in. Dehan\u0131n kaderi hayat\u0131n ac\u0131 y\u00fcz\u00fcyle cebelle\u015fmek ve anlams\u0131z \u0131st\u0131raplar\u0131n mengenesinde ufalanmakt\u0131r. Dostoyevski de bir dehad\u0131r ve bu kaderin m\u00fczmin mahkumlar\u0131ndand\u0131r.<\/p>\n<p><img decoding=\"async\" class=\"alignleft size-full wp-image-599\" src=\"http:\/\/www.farklarsozlugu.com\/wp-content\/uploads\/2018\/05\/images.jpeg\" alt=\"\" width=\"273\" height=\"185\">Tolstoy, kaderin cilvenaz y\u00fcz\u00fcn\u00fc pek g\u00f6rmez. Vars\u0131l bir ailede do\u011far. Rahat ve refah bir hayat\u0131n tad\u0131n\u0131 doyas\u0131ya \u00e7\u0131kar\u0131r. Ne var ki ince duyulu vicdanlar varolu\u015f bilmecesine bula\u015fmadan bu d\u00fcnyadan g\u00f6\u00e7emez. Tolstoy da 54 ya\u015f\u0131nda sonu gelmez bir hengamenin ortas\u0131nda bulur kendisini. Anlam aray\u0131\u015f\u0131, tanr\u0131 ve ahiret 82 ya\u015f\u0131nda son bulacak olan hayat\u0131n\u0131n as\u0131l me\u015fgalesi olur. \u0130spat\u0131 v\u00fccut nam\u0131na kaleme ald\u0131klar\u0131 bir kenara b\u0131rak\u0131l\u0131rsa, yazd\u0131klar\u0131 didaktik bir mahiyet arz eder. Hikmet ve \u00f6\u011f\u00fct verir. Anlamak i\u00e7in yazar. Bazen anlamland\u0131rmak i\u00e7in. Ama daha \u00e7ok anlatmak ve anla\u015f\u0131l\u0131r k\u0131lmak i\u00e7in. \u0130yilik ve sevginin her formu hikayelerinin as\u0131l konusudur. Belki de onu Dostoyevski\u2019den ay\u0131ran en b\u00fcy\u00fck fark budur. Aray\u0131\u015flar\u0131n\u0131 teorik kitaplar\u0131yla somutla\u015ft\u0131r\u0131r. Sadece edebiyat de\u011fil teoloji ve felsefe sahalar\u0131nda da kalem oynat\u0131r. Her alana merak duyan, okuma ve yazma yelpazesi geni\u015f eski zaman bilgelerinin son temsilcilerindendir.<\/p>\n<p>Bu iki b\u00fcy\u00fck beynin aralar\u0131ndaki fark olduk\u00e7a b\u00fcy\u00fckt\u00fcr. Ne var ki birini di\u011ferine tercih etmekte her zaman zorlan\u0131r\u0131z. A\u00e7\u0131k\u00e7as\u0131 buna gerek de yoktur. \u00c7\u00fcnk\u00fc Dostoyevski de Tolstoy da ya\u015fad\u0131klar\u0131 d\u00f6nemi kendi cephelerinden olanca sadeli\u011fi ile anlat\u0131rlar. M\u00fchim olan iki farkl\u0131 renk ve sesi bir arada ve oldu\u011fu gibi kabul edebilmek.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edebiyat tarihinin efsane iki ismi. Birini and\u0131\u011f\u0131m\u0131zda di\u011feri belirir akl\u0131m\u0131zda hemen. Belki karde\u015f zannedenler bile vard\u0131r. Hem de farkl\u0131, apayr\u0131 d\u00fcnyalar\u0131n insanlar\u0131yken. Rus edebiyat\u0131 bu iki d\u00e2hinin kalemi \u00fczerinde y\u00fckselmi\u015f, sonraki pek \u00e7ok yazar yine onlardan ald\u0131klar\u0131 ilhamla kanatlanm\u0131\u015flard\u0131r. Her \u00e7a\u011f\u0131n birka\u00e7 \u00f6nc\u00fc ismi olur. Ya \u00e7orak topra\u011f\u0131 m\u00fcmbit bir meraya \u00e7evirir ya da k\u00fcller [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":700,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[245],"tags":[528,246,247,240,223,581,249,250,248],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/66"}],"collection":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":2,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":701,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/posts\/66\/revisions\/701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/media\/700"}],"wp:attachment":[{"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.farklarsozlugu.com\/index.php\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}